LaBeouf went on to gush about his “f–king joyful” child, saying that she is “testing” him and keeping him “accountable” like an “ultimate parole officer.” LaBeouf’s “Nymphomaniac” co-star reached out to him when he didn’t “deserve” her. The Daytime Emmy winner gave an example, telling Bernthal about how he acted “stable” when their little one was diagnosed with hemangioma, a benign vascular tumor on her head. It makes me useful to show up for my wife and be stable for my wife.” Now that the duo are back together and raising their 5-month-old baby, a daughter named Isabel, LaBeouf is intentional about not “shame spiral.” Shia LaBeouf reflected on how he and on-again, off-again partner Mia Goth reconciled.
“She gave me hope when I was really running on fumes.” “She was present for me at a time when I didn’t deserve to have nobody in my life, especially her,” he added. “She saved my f–king life,” the “Even Stevens” alum said of Goth, from whom he had previously been estranged for two years. The actress, 28, reached out to her “Nymphomaniac” co-star, 36, when he was in rehab amid sexual abuse allegations, LaBeouf said on the “Real Ones with Jon Bernthal” podcast Wednesday. Shia LaBeouf revealed his on-again, off-again partner, Mia Goth, was the one to restart their romance, leading to their reconciliation in 2021. The same, however, cannot be said of the competition, which sorely needs distinctive voices like hers.Inside the ‘Don’t Worry Darling’ drama at the Venice Film Festival
Whether she returns to the competition or not, we know by now that Hansen-Løve will do very well without it. But, weirdly, although Hansen-Løve’s films are not shy of pretention, they’re rarely self-indulgent, and there’s always a sense of discipline that keeps everything on track. There’s a very funny Christmas scene, where Sandra’s in-laws act out Santa’s arrival to their children’s wild delight. Similarly there are some surprisingly riotous moments in One Fine Morning that come close to the kind of slapstick you might find in a Julie Delpy movie, especially the more family-focused ones. Poupaud is likable as the raffish Clément, and their chemistry together is powerful, but Seydoux is the standout here there are many elements of Sandra that other actresses might manage easily - sexy, homely, vulnerable, practical, fragile, tough - but few could do them all in the service of the same role.
If Things to Come is a film about the future from an older woman’s perspective, One Fine Morning is the opposite: a younger woman seeing her past flashing before her eyes, wondering how, and if, it will ever get better. It’s a slight, warm film that doesn’t stray far beyond the bounds of what you might expect but does make an interesting companion piece with Hansen-Løve’s 2016 Berlin entry Things to Come, which starred Isabelle Huppert as a middle-aged woman suddenly freed by her unexpected divorce and the passing of her mother. Léa Seydoux Set For Audrey Diwan’s English-Language Directorial Debut ‘Emmanuelle’ – Cannes All the while, her father’s health is failing him, the medical industry is failing him - each care home seems to be worse than the last-and only Sandra seems to care about his artistic legacy. The spark is instant, even though the tousle-haired Clément’s wardrobe is clearly not in the same league as Sandra’s, and sex follows refreshingly quickly, without too much fuss, even though Sandra knows the affair is starting out on borrowed time. It’s at this moment that Sandra reconnects with Clément (Melvil Poupaud), an old friend of her late husband who, this being a Mia Hansen-Løve film, is a cosmochemist. Georg needs to be in full-time care, so Sandra reluctantly yields to his ex-wife’s wishes and starts packing up his vast collection of rarefied records and books. Sandra handles it all professionally, but her focus is on her father Georg (Pascal Greggory), a much-loved college professor now afflicted by Benson syndrome, a form of Alzheimer’s that causes blindness and delusions. Sandra works as a translator, a peculiar but specific little detail that sees her out working with war veterans on a visit to Normandy one minute then stuck in a booth at a boring trade conference the next. Seydoux plays Sandra, a supremely stylish Paris mother who lives alone with her young daughter. Watch A Clip From Mia Hansen-Løve’s ‘One Fine Morning’ Starring Lea Seydoux Cannes Review: Tarik Saleh’s 'Boy From Heaven'
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